Shows with English Surtitles
The Residenztheater produces performances in German only – however, some of these are shown with English surtitles. Please indicate at the box office whether you would like a seat with surtitles visible when purchasing a ticket. You can also buy your ticket online. For the best view of the surtitles in the Residenztheater, we recommend the seats in the »Parkett« from row 10 to row 16, especially in the middle. The seats in the central section of the »Balkon« and in every row of the »Rang« are also recommended.
1 Dec
Tue 1 Dec
Maria Stuart - 1 Dec
Intrigues, conspiracies, political intrigues - Schiller's tragedy depicts the power struggle between the English Queen Elizabeth I and the Scottish Queen Mary Stuart. But what if only chance decides between power and powerlessness? Then the roles could also be »swapped«. For each performance, a draw is held to decide which of the two actresses will play the victor or the vanquished.
2 Dec
Wed 2 Dec
König Lear (King Lear) - 2 Dec
A longtime favourite of Munich audiences, the exceptional actor Manfred Zapatka, appears as one of William Shakespeare’s great title characters: King Lear. The play is a character study of an ageing, unpredictable patriarch and tyrant.
4 Dec
Fri 4 Dec
Ich. Und das, was ihr daraus macht. (Me. And what you make of it.) - 4 Dec
11 January 2026: When the Süddeutsche Zeitung reposted a profile of Residenztheater actor Delschad Numan Khorschid, the comments suddenly came flooding in – including countless racist attacks. Khorschid documented these online reactions and his feelings in great detail, and is now bringing his text to the stage together with his fellow cast members.
5 Dec
Sat 5 Dec
Faust I - 5 Dec
»Two souls dwell, oh! in my breast« – with these words Goethe’s Faust describes not only a personal drama, but an experience of modern subjectivity: the ego manifests itself as a texture of contradictory forces. Goethe’s drama presents modern man as driven by a principle of continuous escalation – caught between self-control, consumerism and destruction. Ulrich Rasche presents these events as an interiorised chamber play. Its characters embody the forces of a conflicted consciousness; Mephisto becomes a dark shadow of the protagonist himself.
7 Dec
Mon 7 Dec
Cabaret - 7 Dec
The legendary musical »Cabaret« entices us into the dazzling world of the Kit Kat Club in the 1930s. Every night the enigmatic Sally Bowles thrills the audience with her famous song »Life is a Cabaret«, a celebration of decadence and diversity. The young American Clifford Bradshaw is caught up in this intensely sensual world. Yet, at the same time, something dark is becoming an ever-stronger presence in the daily lives of these exuberant fun-lovers.
9 Dec
Wed 9 Dec
Maria Stuart - 9 Dec
Intrigues, conspiracies, political intrigues - Schiller's tragedy depicts the power struggle between the English Queen Elizabeth I and the Scottish Queen Mary Stuart. But what if only chance decides between power and powerlessness? Then the roles could also be »swapped«. For each performance, a draw is held to decide which of the two actresses will play the victor or the vanquished.
13 Dec
Sun 13 Dec
Ödipus (Oedipus) - 13 Dec
Oedipus, the lead candidate of a new political movement, is as good as assured of election victory. But why are the circumstances of his predecessor’s fatal road traffic accident classified? And what is the fake news regarding his origins about? Oedipus starts to investigate – despite all the warnings. As in his updating of Schnitzler’s »The Doctor«, Robert Icke has radically translated a theatre classic into the present. Icke’s »Oedipus« looks behind the myth and is both a family tragedy and a political thriller.
16 Dec
Wed 16 Dec
Cabaret - 16 Dec
The legendary musical »Cabaret« entices us into the dazzling world of the Kit Kat Club in the 1930s. Every night the enigmatic Sally Bowles thrills the audience with her famous song »Life is a Cabaret«, a celebration of decadence and diversity. The young American Clifford Bradshaw is caught up in this intensely sensual world. Yet, at the same time, something dark is becoming an ever-stronger presence in the daily lives of these exuberant fun-lovers.
19 Dec
Sat 19 Dec
Das Gelobte Land (The promised land) - 19 Dec
Asiimwe Deborah Kawe's play tells the story of the life's work of an undocumented immigrant. Like so many others, the nurse Achen, the author's main character, contributes with her labour and as a taxpayer to the prosperity of a country that has decided to expel her overnight.
22 Dec
Tue 22 Dec
Ödipus (Oedipus) - 22 Dec
Oedipus, the lead candidate of a new political movement, is as good as assured of election victory. But why are the circumstances of his predecessor’s fatal road traffic accident classified? And what is the fake news regarding his origins about? Oedipus starts to investigate – despite all the warnings. As in his updating of Schnitzler’s »The Doctor«, Robert Icke has radically translated a theatre classic into the present. Icke’s »Oedipus« looks behind the myth and is both a family tragedy and a political thriller.
23 Dec
Wed 23 Dec
König Lear (King Lear) - 23 Dec
A longtime favourite of Munich audiences, the exceptional actor Manfred Zapatka, appears as one of William Shakespeare’s great title characters: King Lear. The play is a character study of an ageing, unpredictable patriarch and tyrant.
29 Dec
Tue 29 Dec
Faust I - 29 Dec
»Two souls dwell, oh! in my breast« – with these words Goethe’s Faust describes not only a personal drama, but an experience of modern subjectivity: the ego manifests itself as a texture of contradictory forces. Goethe’s drama presents modern man as driven by a principle of continuous escalation – caught between self-control, consumerism and destruction. Ulrich Rasche presents these events as an interiorised chamber play. Its characters embody the forces of a conflicted consciousness; Mephisto becomes a dark shadow of the protagonist himself.
30 Dec
Wed 30 Dec
Faust I - 30 Dec
»Two souls dwell, oh! in my breast« – with these words Goethe’s Faust describes not only a personal drama, but an experience of modern subjectivity: the ego manifests itself as a texture of contradictory forces. Goethe’s drama presents modern man as driven by a principle of continuous escalation – caught between self-control, consumerism and destruction. Ulrich Rasche presents these events as an interiorised chamber play. Its characters embody the forces of a conflicted consciousness; Mephisto becomes a dark shadow of the protagonist himself.