ENGLISH SURTITLES

The filter below allows you to search specifically for all performances with English surtitles.

The Residenztheater produces performances in German only – however, some of these are shown with English surtitles. Please indicate at the box office whether you would like a seat with surtitles visible when purchasing a ticket. You can also buy your ticket online. For the best view of the surtitles in the Residenztheater, we recommend the seats in the «Parkett» from row 10 to row 16, especially in the middle. The seats in the central section of the «Balkon» and in every row of the «Rang» are also recommended.

Schedule

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24 Feb

Tuesday

Tue 24 Feb

Residenztheater, 11.00–12.15 o'clock | Closed school performance

Pippi Langstrumpf (Pippi Longstocking) - 24 Feb

by Astrid Lindgren, stage adaptation by Christian Schönfelder
Prices D
11 bis 43 €

When Pippi Langstrumpf moves into the abandoned Villa Villekulla, a whirlwind enters the lives of Annika and Tommy. Along with her monkey Mr Nilsson and her horse Little Old Man, Pippi turns the children’s lives upside down. With her charm and humour, the remarkable pirate’s daughter makes fools of anyone who tries to keep her in check, whether they are policemen, bandits or concerned neighbours – because she’s the strongest girl in the world!

Go to page «Pippi Langstrumpf (Pippi Longstocking)»

Tue 24 Feb

Residenztheater, 19.30–21.15 o'clock

Gschichtn vom Brandner Kaspar (Stories from Brandner Kaspar) - 24 Feb

Volksstück in 4 acts by Franz Xaver Kroetz freely based on motifs by Franz von Kobell
World premiere/commissioned work
Prices I
25 bis 69 €

After a quarter of a century, Brandner Kaspar returns to the Residenztheater – and how! Based on Franz von Kobell's dialect story, Franz Xaver Kroetz tells the story of the Bavarian stubborn man who refuses to bow even to Death himself, the Boanlkramer, in a very honest and touching way, yet completely unsentimental and with a great deal of humour. Munich-based film, theatre and opera director Philipp Stölzl brings the «Gschichtn vom Brandner Kaspar» to the stage as a «big picture book, because the play is, of course, a fairy tale».

Go to page «Gschichtn vom Brandner Kaspar (Stories from Brandner Kaspar)»

25 Feb

Wednesday

Wed 25 Feb

Residenztheater, 11.00–12.15 o'clock | Closed school performance

Pippi Langstrumpf (Pippi Longstocking) - 25 Feb

by Astrid Lindgren, stage adaptation by Christian Schönfelder
Prices D
11 bis 43 €

When Pippi Langstrumpf moves into the abandoned Villa Villekulla, a whirlwind enters the lives of Annika and Tommy. Along with her monkey Mr Nilsson and her horse Little Old Man, Pippi turns the children’s lives upside down. With her charm and humour, the remarkable pirate’s daughter makes fools of anyone who tries to keep her in check, whether they are policemen, bandits or concerned neighbours – because she’s the strongest girl in the world!

Go to page «Pippi Langstrumpf (Pippi Longstocking)»

Wed 25 Feb

Residenztheater, 19.30–21.15 o'clock

Gschichtn vom Brandner Kaspar (Stories from Brandner Kaspar) - 25 Feb

Volksstück in 4 acts by Franz Xaver Kroetz freely based on motifs by Franz von Kobell
World premiere/commissioned work
Prices I
25 bis 69 €

After a quarter of a century, Brandner Kaspar returns to the Residenztheater – and how! Based on Franz von Kobell's dialect story, Franz Xaver Kroetz tells the story of the Bavarian stubborn man who refuses to bow even to Death himself, the Boanlkramer, in a very honest and touching way, yet completely unsentimental and with a great deal of humour. Munich-based film, theatre and opera director Philipp Stölzl brings the «Gschichtn vom Brandner Kaspar» to the stage as a «big picture book, because the play is, of course, a fairy tale».

Go to page «Gschichtn vom Brandner Kaspar (Stories from Brandner Kaspar)»

Wed 25 Feb

Marstall, 20.00 o'clock

Im Dickicht der Stadt (In the thicket of the city) - 25 Feb

In cooperation with the Climate School of the LMU Munich
Prices P
11/10 €

In search of urban wilderness, we turn our attention to the unnoticed in-between spaces of our city. Together with scientists from LMU, we will explore the thicket with all our senses and make contact with its non-human actors. In the first part, HÖREN (LISTENING), sound artist Diane Barbé takes us into a soundscape of singing animals and talking plants.

Go to page «Im Dickicht der Stadt (In the thicket of the city)»

26 Feb

Thursday

Thu 26 Feb

Cuvilliéstheater, 11.00–12.40 o'clock

Der zerbrochne Krug (The broken jug) - 26 Feb

by Heinrich von Kleist
Prices H
21 bis 64 €

Judge Adam has a serious problem: not only does he have to cope with the severe effects of his nightly alcohol consumption, but also the sudden appearance of his superior Walter, who intends to take a close look at the administration of law in the provinces. Adam is forced to try a case publicly in court where he is obliged to investigate himself, which uses all the means at his disposal to conceal. Kleist’s disturbing comedy turns into an investigative drama about a veritable legal scandal.

Go to page «Der zerbrochne Krug (The broken jug)»

Thu 26 Feb

Marstall, 19.00–21.00 o'clock

Die Kopenhagen-Trilogie (The Copenhagen Trilogy) - 26 Feb

based on the novels «Childhood» – «Youth» – «Dependency» by Tove Ditlevsen adapted for the stage by Tom Silkeberg
Prices V
33 €

Copenhagen’s working-class district of Vesterbro in the 1920s has little room for the talent and dreams of young Tove. She leaves school at the age of fourteen and is sent against her will to work as a maid and later as a clerical worker. However, she refuses to give up, publishes her early poems and stories and continues to seek her freedom as a writer. In the «Copenhagen Trilogy» Tove Ditlevsen uses her own biography to tell of an escape from a complicated everyday reality into storytelling, skilfully interweaving fiction and reality. Her first-person narrator, with whom she shares a name, delivers a humorous and laconic account of a personal life that is nevertheless political. 

Go to page «Die Kopenhagen-Trilogie (The Copenhagen Trilogy)»

Thu 26 Feb

Residenztheater, 19.30 o'clock | In cooperation with the Literaturhaus and PIPER Verlag

«Eine Hymne an das Leben» («A Hymn to Life») - 26 Feb

An evening with Gisèle Pelicot
Prices 25/20 €
If applicable, remaining tickets

Gisèle Pelicot moved millions of people with her courageous determination in the «Avignon trial». She waived her right to anonymity in the legal battle against her ex-husband and 50 other men who were convicted of countless sexual assaults against her. Her story caused an enormous stir and led not only to public discussions and demonstrations, but ultimately to changes in the law.

Pelicot's unprecedented self-assertion is a source of inspiration. Gisèle Pelicot's autobiography is a call to all people to stand on the side of justice and not give in to false shame.

Book presentation in German and French.

Go to page ««Eine Hymne an das Leben» («A Hymn to Life»)»

27 Feb

Friday

Fri 27 Feb

Residenztheater, 11.00–12.15 o'clock | Closed school performance

Pippi Langstrumpf (Pippi Longstocking) - 27 Feb

by Astrid Lindgren, stage adaptation by Christian Schönfelder
Prices D
11 bis 43 €

When Pippi Langstrumpf moves into the abandoned Villa Villekulla, a whirlwind enters the lives of Annika and Tommy. Along with her monkey Mr Nilsson and her horse Little Old Man, Pippi turns the children’s lives upside down. With her charm and humour, the remarkable pirate’s daughter makes fools of anyone who tries to keep her in check, whether they are policemen, bandits or concerned neighbours – because she’s the strongest girl in the world!

Go to page «Pippi Langstrumpf (Pippi Longstocking)»

Fri 27 Feb

Residenztheater, 19.30–22.20 o'clock

Cabaret - 27 Feb

Musical by Joe Masteroff (book), John Kander (music) and Fred Ebb (lyrics) based on the play «I Am a Camera» by John van Druten and the stories of Christopher Isherwood
Prices J
29 bis 74 €
If applicable, remaining tickets

The legendary musical «Cabaret» entices us into the dazzling world of the Kit Kat Club in the 1930s. Every night the enigmatic Sally Bowles thrills the audience with her famous song «Life is a Cabaret», a celebration of decadence and diversity. The young American Clifford Bradshaw is caught up in this intensely sensual world. Yet, at the same time, something dark is becoming an ever-stronger presence in the daily lives of these exuberant fun-lovers.

Go to page «Cabaret»

Fri 27 Feb

Cuvilliéstheater, 19.30–21.10 o'clock

Der zerbrochne Krug (The broken jug) - 27 Feb

by Heinrich von Kleist
Prices H
21 bis 64 €

Judge Adam has a serious problem: not only does he have to cope with the severe effects of his nightly alcohol consumption, but also the sudden appearance of his superior Walter, who intends to take a close look at the administration of law in the provinces. Adam is forced to try a case publicly in court where he is obliged to investigate himself, which uses all the means at his disposal to conceal. Kleist’s disturbing comedy turns into an investigative drama about a veritable legal scandal.

Go to page «Der zerbrochne Krug (The broken jug)»

Fri 27 Feb

Marstall, 20.00–21.50 o'clock | WITH ENGLISH SURTITLES | 7.30 p.m. Introduction

Das Gelobte Land (The promised land) - 27 Feb

by Asiimwe Deborah Kawe
World Premiere
Prices U
28 €

Asiimwe Deborah Kawe's play tells the story of the life's work of an undocumented immigrant. Like so many others, the nurse Achen, the author's main character, contributes with her labour and as a taxpayer to the prosperity of a country that has decided to expel her overnight.

Go to page «Das Gelobte Land (The promised land)»

28 Feb

Saturday

Sat 28 Feb

Zur schönen Aussicht, 12.00 o'clock

Tremens - 28 Feb

An immersive performance by CREW
World Premiere
Prices P
11/10 €
If applicable, remaining tickets

Inspired by William Shakespeare’s tragedy of Timon of Athens, «Tremens» is an immersive experience combining theatre with social Virtual Reality. The audience is invited to question familiar patterns of thought – and to use Virtual Reality goggles to experience the Residenztheater foyer as a space in which the overwhelming convergence of theatrical assertion and virtual boundlessness opens new perspectives on the present.

Go to page «Tremens»

Sat 28 Feb

Zur schönen Aussicht, 15.00 o'clock

Tremens - 28 Feb

An immersive performance by CREW
World Premiere
Prices P
11/10 €
If applicable, remaining tickets

Inspired by William Shakespeare’s tragedy of Timon of Athens, «Tremens» is an immersive experience combining theatre with social Virtual Reality. The audience is invited to question familiar patterns of thought – and to use Virtual Reality goggles to experience the Residenztheater foyer as a space in which the overwhelming convergence of theatrical assertion and virtual boundlessness opens new perspectives on the present.

Go to page «Tremens»

Sat 28 Feb

Residenztheater, 19.30–22.40 o'clock | WITH ENGLISH SURTITLES

Romeo und Julia (Romeo and Juliet) - 28 Feb

by William Shakespeare
Prices I
25 bis 69 €

Romeo and Juliet set the language of love against the war of their relatives, the language of the dagger. Will they manage to set an example against the irreconcilable enmity that prevails in Verona? In-house director Elsa-Sophie Jach re-stages the world's most famous love story and the dance on the volcano that sweeps its main characters away, with lots of music and hot hearts.

Go to page «Romeo und Julia (Romeo and Juliet)»

Sat 28 Feb

Marstall, 20.00–21.15 o'clock

MOSI - The Bavarian Dream - 28 Feb

by Alexander Eisenach
World premiere / Commissioned work
Prices W
37€

A prince of fashion and a fairy-tale king. A bird of paradise and a cult figure. A Munich original and a philanthropist. During the course of his lifetime, Rudolph Moshammer was given countless of these nicknames and soubriquets. Everyone recognized him as an eccentric with his dog Daisy on his arm, a talk show guest and man of society. Like his role model, Bavaria’s fairy-tale king Ludwig II, he loved glamour, opulence, and excess. In his appearances as an actor and in advertisements, as a singer in the preliminary round for the Eurovision Song Contest and with books like «Mama und ich» (Mama and Me), he became a cult figure and his fashion boutique «Carnaval de Venise» in Maximilianstraße became a cult address and place of pilgrimage for Mosi fans.

Go to page «MOSI - The Bavarian Dream»