ENGLISH SURTITLES

The filter below allows you to search specifically for all performances with English surtitles.

The Residenztheater produces performances in German only – however, some of these are shown with English surtitles. Please indicate at the box office whether you would like a seat with surtitles visible when purchasing a ticket. You can also buy your ticket online. For the best view of the surtitles in the Residenztheater, we recommend the seats in the «Parkett» from row 10 to row 16, especially in the middle. The seats in the central section of the «Balkon» and in every row of the «Rang» are also recommended.

Schedule

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Today

29 Nov

Saturday

Sat 29 Nov

15.00 o'clock

Kick-off Resi clubs - 29 Nov

Once a week, we offer play clubs for different age groups and with different themes, which are led by members of the ensemble, assistant directors and a theatre educator. This gives participants the opportunity to develop their own production together for an entire season up to the premiere, without any prior knowledge or casting.

We introduce our teams and their ideas at the kick-off meeting.

Go to page «Kick-off Resi clubs»

Sat 29 Nov

Residenztheater, 19.30–22.40 o'clock | WITH ENGLISH SURTITLES

Romeo und Julia (Romeo and Juliet) - 29 Nov

by William Shakespeare
Prices I
25 bis 69 €

Romeo and Juliet set the language of love against the war of their relatives, the language of the dagger. Will they manage to set an example against the irreconcilable enmity that prevails in Verona? In-house director Elsa-Sophie Jach re-stages the world's most famous love story and the dance on the volcano that sweeps its main characters away, with lots of music and hot hearts.

Go to page «Romeo und Julia (Romeo and Juliet)»

Sat 29 Nov

Marstall, 20.00 o'clock | #4 Narrating

Im Dickicht der Stadt: #4 Erzählen - 29 Nov

In cooperation with the Climate School of the LMU Munich
Prices P
11/10 €

In search of urban wilderness, we turn our attention to the unnoticed in-between spaces of our city. Together with scientists from LMU, we will explore the thicket with all our senses and make contact with its non-human actors. In the first part, HÖREN (LISTENING), sound artist Diane Barbé takes us into a soundscape of singing animals and talking plants.

Go to page «Im Dickicht der Stadt (In the thicket of the city)»

30 Nov

Sunday

Sun 30 Nov

Residenztheater, 14.00–15.15 o'clock

Pippi Langstrumpf (Pippi Longstocking) - 30 Nov

by Astrid Lindgren, stage adaptation by Christian Schönfelder
Prices D
11 bis 43 €

When Pippi Langstrumpf moves into the abandoned Villa Villekulla, a whirlwind enters the lives of Annika and Tommy. Along with her monkey Mr Nilsson and her horse Little Old Man, Pippi turns the children’s lives upside down. With her charm and humour, the remarkable pirate’s daughter makes fools of anyone who tries to keep her in check, whether they are policemen, bandits or concerned neighbours – because she’s the strongest girl in the world!

Go to page «Pippi Langstrumpf (Pippi Longstocking)»

Sun 30 Nov

Residenztheater, 17.00–18.15 o'clock

Pippi Langstrumpf (Pippi Longstocking) - 30 Nov

by Astrid Lindgren, stage adaptation by Christian Schönfelder
Prices D
11 bis 43 €

When Pippi Langstrumpf moves into the abandoned Villa Villekulla, a whirlwind enters the lives of Annika and Tommy. Along with her monkey Mr Nilsson and her horse Little Old Man, Pippi turns the children’s lives upside down. With her charm and humour, the remarkable pirate’s daughter makes fools of anyone who tries to keep her in check, whether they are policemen, bandits or concerned neighbours – because she’s the strongest girl in the world!

Go to page «Pippi Langstrumpf (Pippi Longstocking)»

Sun 30 Nov

Cuvilliéstheater, 19.30 o'clock

Der zerbrochne Krug (The broken jug) - 30 Nov

by Heinrich von Kleist
Prices H
21 bis 64 €
If applicable, remaining tickets

Judge Adam has a serious problem: not only does he have to cope with the severe effects of his nightly alcohol consumption, but also the sudden appearance of his superior Walter, who intends to take a close look at the administration of law in the provinces. Adam is forced to try a case publicly in court where he is obliged to investigate himself, which uses all the means at his disposal to conceal. Kleist’s disturbing comedy turns into an investigative drama about a veritable legal scandal.

Go to page «Der zerbrochne Krug (The broken jug)»