Linda Blümchen

Geboren 1994 in Berlin, sammelte Linda Blümchen erste Theatererfahrungen im Jugendclub des Maxim Gorki Theaters unter der Leitung von Suna Gürler. Ihr Schauspielstudium absolvierte sie 2016 bis 2020 an der Universität der Künste Berlin und erhielt ein Stipendium der Studienstiftung des deutschen Volkes. In der Spielzeit 2018/2019 war sie in Arthur Millers «Hexenjagd» erstmals in einer Inszenierung des Theater Basel zu sehen und gehörte in der Spielzeit 2019/2020 zum Ensemble des Theater Basel. Dort arbeitete sie u.a. mit Philipp Stölzl, Miloš Lolić und Stefan Bachmann. Seit der Spielzeit 2020/2021 ist sie festes Ensemblemitglied am Residenztheater. 2021 erhielt sie von den Freunden des Residenztheaters den «RESI SENDET-Digitalpreis».


Performing in

A caretaker is murdered with no reason or motive. Alienated from himself and life in general by a working day that is always the same, a bank clerk seizes an axe and commits murder. This action lacking any obvious cause shocks state prosecutor Martin, who is in charge of the case. In the murder and his crime he can see a reflection of his own imprisonment in a bourgeois existence dominated by duty, law and order. The prosecutor is immediately struck by an existential fear that drives him to escape into the fairy tale world of a mysterious alter ego: the world of Count Öderland.

Graf Öderland (Count Öderland)

Medea is the most startling character in the history of literature. Like no other female figure, she leaves an unprecedented trail of blood behind her: betraying her father, murdering her brother, murdering the King of Iolcus – and that is not enough.

Residenztheater, 19.30 o'clock
Sat 11 Mar

Seven years after her production of «Oedipus», the Slovenian director Mateja Koležnik now brings the next instalment of the Theban myths to the Resi stage: both a political thriller and an epic family drama.

Residenztheater, 19.30 o'clock
Thu 16 Feb
Residenztheater, 19.30 o'clock
Wed 22 Feb
Residenztheater, 19.00 o'clock
Mon 13 Mar
Residenztheater, 19.30 o'clock
Fri 31 Mar

No other play by Heinrich von Kleist inspires quite so many superlatives as «Käthchen of Heilbronn». It is not only the most successful, but also the most romantic, the most fairy tale-like and at the same time the most mysterious play that he wrote.

Das Käthchen von Heilbronn (KÄTHCHEN OF HEILBRONN)
Cuvilliéstheater, 19.30 o'clock
Cuvilliéstheater, 19.30 o'clock
Fri 03 Feb
Cuvilliéstheater, 19.30 o'clock
Tue 07 Feb
Cuvilliéstheater, 19.30 o'clock
Mon 13 Feb
Cuvilliéstheater, 19.30 o'clock
Thu 09 Mar
Cuvilliéstheater, 19.30 o'clock
Fri 10 Mar

Chekhov’s texts, first and foremost his youthful fragment «Platonov», form the starting point for a new evening of musical theatre by resident director Thom Luz. He has borrowed the title from a Russian film version of «Platonov» from 1977 and assembles a society that attempts to discern the melody of the joys and horrors of the future from the songs of a long-forgotten time.

Warten auf Platonow (Waiting for Platonow)
Cuvilliéstheater, 19.00 o'clock
Mon 06 Feb