Felicia Chin-Malenski

Felicia Chin-Malenski wurde in Freiburg im Breisgau geboren und sammelte erste Bühnenerfahrungen am dortigen Jungen Theater. Sie studierte von 2016 bis 2020 Schauspiel an der Universität Mozarteum Salzburg, ein Auslandssemester führte sie außerdem an die Norwegian Theatre Academy in Fredrikstad. Ihr letztes Studienjahr absolvierte Felicia Chin-Malenski im Schauspielstudio des Düsseldorfer Schauspielhauses und wechselte zur Spielzeit 2020/21 fest ins Ensemble des Jungen Schauspiels. In ihrer Düsseldorfer Zeit arbeitete sie u.a. mit Regisseur*innen wie Farnaz Arbabi, Emel Aydoğdu, Gregory Caers, Liesbeth Coltof, Jan Gehler, Sara Ostertag, Bonn Park und Robert Wilson. Felicia Chin-Malenski spielt nicht nur auf der Bühne, sondern auch vor der Kamera. 2020 überquerte sie zu Fuß die Alpen.

Ab der Spielzeit 2023/2024 ist sie festes Ensemblemitglied am Residenztheater.

Performing in

At Whitsun the lion king Nobel invites his subjects to his court for an early summer celebration. The entire animal kingdom gathers – ranging from the crane to the wolf and the bear. Only one animal is missing: the fox called Reineke. As soon as his name his mentioned, the mood of harmony vanishes. One angry accusation follows another and Reinike the fox is charged in his absence with a series of incredible crimes. The cockerel, for example, complains of losing his wife and children – Reineke ate them for supper. When he is eventually put on trial, the accomplished liar – an animal equivalent of Ibsen’s Peer Gynt – manages to pull the wool over everyone’s eyes – man, woman or creature – and slip his neck out of the noose. Eventually he even acquires a whole crowd of followers and is elected Chancellor.

 

The moral of the story is that not everyone with foxy cunning and a talent for oratory puts those gifts to benevolent use – on the contrary! But how can we tell the difference between truth and lies? How can we avoid being taken in by the peddlers of fake news? How can we remain faithful to our own opinions and values?

Reineke Fuchs
School performance
Marstall, 11.00 o'clock
Fri 15 Dec
School performance
Remainders Save date
Marstall, 17.00 o'clock
Sun 17 Dec
If applicable, remaining tickets
Save date
School performance
Marstall, 11.00 o'clock
Mon 18 Dec
School performance
Save date
School performance
Marstall, 11.00 o'clock
Tue 19 Dec
School performance
If applicable, remaining tickets
Save date
School performance
Marstall, 11.00 o'clock
Thu 21 Dec
School performance
If applicable, remaining tickets
Save date
Marstall, 17.00 o'clock
Mon 25 Dec
If applicable, remaining tickets
Save date
Marstall, 11.00 o'clock
Wed 10 Jan
Marstall, 17.00 o'clock
Sun 21 Jan
Marstall, 11.00 o'clock
Mon 22 Jan

«Let’s say someone comes up to you and tells you you’re such and such a person, tells you the worst, says the most appalling things, things that could kill someone, absolutely destroy them, leave them speechless and lifeless. And then you say: Yes, that’s what I’m like, it’s true, but … But so what?» – With these words Prince Philip attempts to break down the reserve of his new fiancée Yvonne, but they also describe the essential plot of this first play by the Polish author Witold Gombrowicz.

Yvonne, Prinzessin von Burgund (Yvonne, Princess of Burgundy)
Marstall Café, 19.30 o'clock
Fri 15 Dec
7.30 pm Introduction
Marstall, 20.00 o'clock
Fri 15 Dec
7.30 pm Introduction
Tickets Save date
7.30 pm Introduction
Marstall, 20.00 o'clock
Thu 28 Dec
7.30 pm Introduction
Tickets Save date
Marstall, 20.00 o'clock
Wed 03 Jan
Marstall, 19.00 o'clock
Sun 14 Jan
Marstall, 20.00 o'clock
Fri 26 Jan
Marstall, 20.00 o'clock
Tue 30 Jan
Marstall, 20.00 o'clock
Tue 30 Jan

Ensemble