Naffie Janha

Naffie Janha wurde im Ruhrgebiet geboren. 2018 begann sie ein Studium an der Filmuniversität Babelsberg Konrad Wolf. Während des Studiums arbeitete sie u. a. mit Kathrin Wehlisch, Oliver Haffner und Robert Lehniger zusammen. Es folgte 2021 eine Arbeit als Gast am hessischen Staatstheater Wiesbaden. In der Spielzeit 2021/2022 trat sie ihr erstes Festengagement am Staatstheater Darmstadt an. Ab der Spielzeit 2023/2024 ist sie festes Ensemblemitglied am Residenztheater.

Performing in

Copenhagen’s working-class district of Vesterbro in the 1920s has little room for the talent and dreams of young Tove. She leaves school at the age of fourteen and is sent against her will to work as a maid and later as a clerical worker. However, she refuses to give up, publishes her early poems and stories and continues to seek her freedom as a writer. In the «Copenhagen Trilogy» Tove Ditlevsen uses her own biography to tell of an escape from a complicated everyday reality into storytelling, skilfully interweaving fiction and reality. Her first-person narrator, with whom she shares a name, delivers a humorous and laconic account of a personal life that is nevertheless political. 

Die Kopenhagen-Trilogie (The Copenhagen Trilogy)
Marstall, 19.00 o'clock
Thu 24 Oct
Artist talk afterwards
Tickets Save date
Marstall, 20.00 o'clock
Wed 30 Oct
Marstall, 19.00 o'clock
Sun 03 Nov
Marstall, 19.00 o'clock
Mon 25 Nov

Ostend – the Atlantic coast, driving snow, New Year’s Eve, in the foyer of a hotel whose best days are behind it. This is where Minetti, an old «theatre artist», ends up lonely – and yet surrounded by a group of «madmen». Or are they like minds? Celebrating, wearing masks, drunk … of whom we do not know where they come from or where they are going to – they all pass across the hotel foyer like creatures from another world… Is this a comedy? Or a tragedy?

Minetti

After many years, Gregers returns to his home country. His father, a successful entrepreneur, offers him the opportunity to join the company management, from which he has to retire for health reasons. Gregers refuses and at the same time learns that his father is secretly financially supporting the family of his old friend Hjalmar Ekdal, who lives in the most modest of circumstances, and becomes suspicious. Why is the capitalist suddenly showing himself to be a philanthropist? In his tragedy, Henrik Ibsen shows how the capitalist system has a direct impact on the private sphere and undermines social cohesion. The Norwegian Johannes Holmen Dahl, one of the most sought-after directors in Scandinavia, is now staging his German debut with a major work by his famous compatriot.

Die Wildente (The wild duck)
Premiere
Cuvilliéstheater
Thu 17 Oct
Cuvilliéstheater, 19.30 o'clock
Sun 20 Oct
Cuvilliéstheater, 19.30 o'clock
Wed 23 Oct
Cuvilliéstheater, 19.30 o'clock
Sun 27 Oct
Cuvilliéstheater, 19.30 o'clock
Mon 04 Nov
Cuvilliéstheater, 19.30 o'clock
Sun 24 Nov