Evelyne Gugolz

Geboren 1977 in Zug, absolvierte Evelyne Gugolz ihr Schauspielstudium an der Zürcher Hochschule der Künste. Erste Engagements erhielt sie am Stadtheater Bern und am Grillo Theater Essen. Arbeiten mit freien Theaterformationen führten sie u. a. an Theater und Produktionsstätten wie die Gessnerallee Zürich, Sophiensaele Berlin, den Theaterdiscounter Berlin, Kampnagel Hamburg, das Impulse Festival und Belluard Festival. Sie arbeitete u. a. mit Regisseur*innen wie Schorsch Kamerun, David Bösch, Anselm Weber, Christoph Frick, Corsin Gaudenz, Bettina Glaus und Tomas Schweigen zusammen sowie am Theater Basel mit Mateja Koležnik und Thom Luz.

Performing in

The director Elsa-Sophie Jach, who recently made her debut at the Residenztheater with her production of Herbert Achternbusch’s «Heart of Glass», brings the outrageous love poetry of «Europe’s first poet» to new life. Known for a directing style characterised by precise language and strong visuals, she hunts down the forgotten remains of Sappho’s poems, condenses them into a chorus and, on a tour through the literary canon together with the Munich techno live band SLATEC, she exposes the systematic erasure of the female voice, its silencing and the need for it to empower itself.

Die Unerhörten (The outrageous ones)

Elisabeth Gärtner, a retired architect, has only one more wish: she wants to die. Her beloved husband died of cancer three years ago and without him life has no meaning for her any more. A drug that would allow her to die of her own volition has been refused her. Now the Ethics Council must make a decision on her case. Expert witnesses from the fields of law, medicine and theology argue over the question:  Does a human being have a right to determine their own death? Are doctors allowed to help someone commit suicide? And who do our lives actually belong to? To us? To the state? Or to God?

Gott (God)

Chekhov’s texts, first and foremost his youthful fragment «Platonov», form the starting point for a new evening of musical theatre by resident director Thom Luz. He has borrowed the title from a Russian film version of «Platonov» from 1977 and assembles a society that attempts to discern the melody of the joys and horrors of the future from the songs of a long-forgotten time.

Warten auf Platonow (Waiting for Platonow)
Cuvilliéstheater, 19.00 o'clock
Sat 03 Dec
Cuvilliéstheater, 19.00 o'clock
Wed 07 Dec

Ensemble