Gschichtn vom Brandner Kaspar (Stories from Brandner Kaspar)

Volksstück in 4 acts by Franz Xaver Kroetz freely based on motifs by Franz von Kobell
20. March: Residenztheater, 19.30 o'clock

Shows with English Surtitles

The Residenztheater produces performances in German only – however, some of these are shown with English surtitles. Please indicate at the box office whether you would like a seat with surtitles visible when purchasing a ticket. You can also buy your ticket online. For the best view of the surtitles in the Residenztheater, we recommend the seats in the «Parkett» from row 10 to row 16, especially in the middle. The seats in the central section of the «Balkon» and in every row of the «Rang» are also recommended.

1 Apr

Wednesday

Wed 1 Apr

Marstall, 20.00–21.50 o'clock | WITH ENGLISH SURTITLES

Das Gelobte Land (The promised land) - 1 Apr

by Asiimwe Deborah Kawe
World Premiere
Prices U
28 €

Asiimwe Deborah Kawe's play tells the story of the life's work of an undocumented immigrant. Like so many others, the nurse Achen, the author's main character, contributes with her labour and as a taxpayer to the prosperity of a country that has decided to expel her overnight.

Go to page «Das Gelobte Land (The promised land)»

2 Apr

Thursday

Thu 2 Apr

Residenztheater, 19.30–22.10 o'clock | WITH ENGLISH SURTITLES | Only a few more times

Drei Schwestern (Three sisters) - 2 Apr

by Simon Stone after Anton Chekhov
Prices I
25 bis 69 €

The Australian writer and director Simon Stone took Chekhov’s famous play as the starting point for his rewriting – voted «Play of the Year 2017» in «Theater heute» magazine – that combines rapid fire dialogue, subtle character studies and the ambivalence that arises from them while locating the play thematically in the here and now.

Go to page «Drei Schwestern (Three sisters)»

5 Apr

Sunday

Sun 5 Apr

Residenztheater, 18.30–21.30 o'clock | WITH ENGLISH SURTITLES

Cabaret - 5 Apr

Musical by Joe Masteroff (book), John Kander (music) and Fred Ebb (lyrics) based on the play «I Am a Camera» by John van Druten and the stories of Christopher Isherwood
Prices J
29 bis 74 €

The legendary musical «Cabaret» entices us into the dazzling world of the Kit Kat Club in the 1930s. Every night the enigmatic Sally Bowles thrills the audience with her famous song «Life is a Cabaret», a celebration of decadence and diversity. The young American Clifford Bradshaw is caught up in this intensely sensual world. Yet, at the same time, something dark is becoming an ever-stronger presence in the daily lives of these exuberant fun-lovers.

Go to page «Cabaret»

6 Apr

Monday

Mon 6 Apr

Residenztheater, 18.30–20.00 o'clock | WITH ENGLISH SURTITLES

Kasimir und Karoline (Casimir and Caroline) - 6 Apr

by Ödön von Horváth
Prices H
21 bis 64 €

The Oktoberfest is a place of amusement and welcome distraction, even in the midst of the global economic crisis of the early 1930s. But it is a place that puts the love between Casimir, a redundant chauffeur, and Caroline, an office worker, to the test. In the world of the petit bourgeois, people seek comfort in alcoholic excess as the hour gets late and the chasms between them are revealed.  Horváth’s kaleidoscope of characters, whose monstrosity lies in their banality, shows the people of their time and how they are subject to economic necessity.

Go to page «Kasimir und Karoline (Casimir and Caroline)»

14 Apr

Tuesday

Tue 14 Apr

Residenztheater, 19.30–22.40 o'clock | WITH ENGLISH SURTITLES

Romeo und Julia (Romeo and Juliet) - 14 Apr

by William Shakespeare
Prices I
25 bis 69 €

Romeo and Juliet set the language of love against the war of their relatives, the language of the dagger. Will they manage to set an example against the irreconcilable enmity that prevails in Verona? In-house director Elsa-Sophie Jach re-stages the world's most famous love story and the dance on the volcano that sweeps its main characters away, with lots of music and hot hearts.

Go to page «Romeo und Julia (Romeo and Juliet)»

17 Apr

Friday

Fri 17 Apr

Residenztheater, 19.30–22.30 o'clock | WITH ENGLISH SURTITLES

Cabaret - 17 Apr

Musical by Joe Masteroff (book), John Kander (music) and Fred Ebb (lyrics) based on the play «I Am a Camera» by John van Druten and the stories of Christopher Isherwood
Prices J
29 bis 74 €
If applicable, remaining tickets

The legendary musical «Cabaret» entices us into the dazzling world of the Kit Kat Club in the 1930s. Every night the enigmatic Sally Bowles thrills the audience with her famous song «Life is a Cabaret», a celebration of decadence and diversity. The young American Clifford Bradshaw is caught up in this intensely sensual world. Yet, at the same time, something dark is becoming an ever-stronger presence in the daily lives of these exuberant fun-lovers.

Go to page «Cabaret»

20 Apr

Monday

Mon 20 Apr

Residenztheater, 19.30–21.00 o'clock | WITH ENGLISH SURTITLES

Blind - 20 Apr

by Lot Vekemans
German Language Premiere
Prices F
15 bis 52 €

Successful playwright Lot Vekemans hits the nerve of the times with her new play. With great sensitivity, she tells the story of a father and daughter, played by Manfred Zapatka and Juliane Köhler, who have seemingly irreconcilable attitudes to social and political issues, and asks how these conflicts can be overcome.

Go to page «Blind»

25 Apr

Saturday

Sat 25 Apr

Marstall, 20.00–21.50 o'clock | WITH ENGLISH SURTITLES

Das Gelobte Land (The promised land) - 25 Apr

by Asiimwe Deborah Kawe
World Premiere
Prices U
28 €

Asiimwe Deborah Kawe's play tells the story of the life's work of an undocumented immigrant. Like so many others, the nurse Achen, the author's main character, contributes with her labour and as a taxpayer to the prosperity of a country that has decided to expel her overnight.

Go to page «Das Gelobte Land (The promised land)»

29 Apr

Wednesday

Wed 29 Apr

Residenztheater, 19.30 o'clock | WITH ENGLISH SURTITLES

Ödipus (Oedipus) - 29 Apr

by Robert Icke after Sophokles
German Language Premiere
Prices H
21 bis 64 €

Oedipus, the lead candidate of a new political movement, is as good as assured of election victory. But why are the circumstances of his predecessor’s fatal road traffic accident classified? And what is the fake news regarding his origins about? Oedipus starts to investigate – despite all the warnings. As in his updating of Schnitzler’s «The Doctor», Robert Icke has radically translated a theatre classic into the present. Icke’s «Oedipus» looks behind the myth and is both a family tragedy and a political thriller.

Go to page «Ödipus (Oedipus)»