Vassilissa Reznikoff

Geboren und aufgewachsen in einem Pariser Vorort, der Teil der sogenannten «Banlieue» ist, absolvierte Vassilissa Reznikoff eine Bühnentanz-Ausbildung in Hamburg und an der Berliner Hochschule für Schauspielkunst «Ernst Busch» und anschließend ein Schauspielstudium am Mozarteum in Salzburg. Bereits während des Studiums war sie im Rahmen der Salzburger Festspiele zu sehen und arbeitete mit Herbert Fritsch und Volker Lösch. Ihr erstes Festengagement hatte sie direkt im Anschluss am Schauspielhaus Wien, wo sie u. a. in Inszenierungen von Marco Štorman, Lucia Bihler, Tomas Schweigen, Nele Stuhler und Falk Richter zu sehen war. Von 2019 bis 2022 war sie festes Ensemblemitglied am Nationaltheater Mannheim, wo sie unter anderem mit Claudia Bauer, Sapir Heller, Daniel Cremer und Ewelina Marciniak zusammenarbeitete. Seit der Spielzeit 2022/2023 ist sie festes Ensemblemitglied am Residenztheater.

Performing in

Marstall, 20.00 o'clock
Mon 28 Oct

One night a stranger named K. enters a village guest house. He is told that no one is allowed to stay in the village without permission from the authorities in the castle just outside it. K. identifies himself as a surveyor who has been hired by the castle only to be informed three days later that no surveyor is required and it is not even certain that one was ever sent for. For reasons that are unclear and against his wishes, K. is given the job of school caretaker, even though he also receives a letter from the castle confirming that his work as a surveyor was entirely satisfactory. While the castle administration operates in a dubious manner and the decisions of its officials appear arbitrary, the veracity of K.’s incoherent statements is equally subject to doubt.

Das Schloss (The Castle)

No other play by Heinrich von Kleist inspires quite so many superlatives as «Käthchen of Heilbronn». It is not only the most successful, but also the most romantic, the most fairy tale-like and at the same time the most mysterious play that he wrote.

Das Käthchen von Heilbronn (Käthchen of Heilbronn)

«Peer, you’re lying!»: Henrik Ibsen immediately highlights the key theme of his dramatic poem  in its opening line – the blurred boundary between illusion and reality. Because Peer, whose youth is shaped by the poverty of his farming background, continually reinvents himself with the aid of stories, lies and the arts of fabulation – as a cosmopolitan, a colonial master and even an Emperor.

Peer Gynt

The wedding of Theseus and Hippolyta is just around the corner. But first Theseus has to help his friend Egeus. His daughter Hermia has fallen in love with the wrong man, Lysander. In order to change Hermia's mind, an effective threat is set up. The lovers have only one choice: to flee into the darkness of a dreamy June night. And here, in the pale glow of the wild setting, reality and reason are transformed into sexual desire and animal lust. «A Midsummer Night's Dream» is not only William Shakespeare's best-known comedy, but also perhaps his most abysmal. Stephan Kimmig stages the creatures from Shakespeare's famous fairy world as real-life eccentrics. Weird, unconventional and dazzling, they radically question what is considered normal.

Ein Sommernachtstraum (A Midsummer Night's Dream)
Fri 27 Sep
Residenztheater, 19.00 o'clock
Sat 28 Sep
Residenztheater, 18.00 o'clock
Sun 06 Oct
Residenztheater, 19.00 o'clock
Thu 10 Oct
Residenztheater, 19.00 o'clock
Fri 18 Oct
Residenztheater, 19.00 o'clock
Thu 31 Oct

Jovana Reisinger’s novel follows nine women from early spring to the summer of an unspecified year not far from the present. All of them live in or around Munich and they are all named after women’s magazines. They live and fail representatively, each of them alone and yet collectively, by the images and ideals of what it means to be a woman.

Marstall, 20.00 o'clock
Fri 26 Jul
Marstall, 20.00 o'clock
Tue 22 Oct
Marstall, 20.00 o'clock
Sat 26 Oct