Florian von Manteuffel

Geboren 1973 in München, studierte Florian von Manteuffel nach einer Ausbildung zum Steinmetz und Bildhauer an der Schauspiel München. Sein Erstengagement führte ihn an das Theater Bielefeld, anschließend war er Ensemblemitglied am Schauspiel Stuttgart, wo er u. a. mit René Pollesch, Volker Lösch, Sebastian Baumgarten, Stephan Rottkamp und Karin Henkel arbeitete. 2013 wechselte er in das Ensemble des Schauspielhaus Wien und 2015 an das Theater Basel. Dort war er u.a. in Inszenierungen von Claudia Bauer, Schorsch Kamerum, Simon Stone, Julia Hölscher, Robert Icke, Mateja Koležnik und Ulrich Rasche zu erleben. 2019 folgte er Andreas Beck ans Residenztheater. 

Performing in

Mit Schauspieler*innen des Residenztheaters

Shakespeare für Kinder
«Sommernacht.Alpen.Traum»
Zur schönen Aussicht, 11.00 o'clock
Sat 07 Dec
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«Sommernacht.Alpen.Traum»
Zur schönen Aussicht, 11.00 o'clock
Tue 10 Dec
Schulvorstellung
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«Julia und Romeo»
Zur schönen Aussicht, 11.00 o'clock
Sat 14 Dec
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«Julia und Romeo»
Zur schönen Aussicht, 11.00 o'clock
Tue 17 Dec
Schulvorstellung
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«Der Sturm»
Zur schönen Aussicht, 11.00 o'clock
Sat 21 Dec
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One night a stranger named K. enters a village guest house. He is told that no one is allowed to stay in the village without permission from the authorities in the castle just outside it. K. identifies himself as a surveyor who has been hired by the castle only to be informed three days later that no surveyor is required and it is not even certain that one was ever sent for. For reasons that are unclear and against his wishes, K. is given the job of school caretaker, even though he also receives a letter from the castle confirming that his work as a surveyor was entirely satisfactory. While the castle administration operates in a dubious manner and the decisions of its officials appear arbitrary, the veracity of K.’s incoherent statements is equally subject to doubt.

Das Schloss (The Castle)

The Australian writer and director Simon Stone took Chekhov’s famous play as the starting point for his rewriting – voted «Play of the Year 2017» in «Theater heute» magazine – that combines rapid fire dialogue, subtle character studies and the ambivalence that arises from them while locating the play thematically in the here and now.

Drei Schwestern (Three sisters)

With «Success», we journey into the inner workings of a society in which everything is measured in terms of personal career advantage, the demands of embittered contemporaries, hatred of one’s neighbours, anger at those with a different political opinion and one’s own lack of any sense of direction.

Erfolg (Success)
Residenztheater, 19.30 o'clock
Fri 20 Dec
7 p.m. Introduction
Residenztheater, 19.30 o'clock
Thu 09 Jan
For the 25th time | 7 p.m. Introduction
Residenztheater, 19.30 o'clock
Wed 15 Jan

Following Ibsen’s Peer Gynt, in the second half of the season another we hear from another master storyteller. A narrator who tells us to call him Ismael walks onto the Residenztheater stage in seaman’s garb. What follows is a genuine monster of a story: Ismael is hired on the «Pequod», an old whaling ship, and goes to sea on board this floating blubber factory.

Moby Dick
Residenztheater, 19.30 o'clock
Sat 04 Jan
WITH ENGLISH SURTITLES
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6 p.m. Introduction
Residenztheater, 18.30 o'clock
Sun 12 Jan
WITH ENGLISH SURTITLES
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«Peer, you’re lying!»: Henrik Ibsen immediately highlights the key theme of his dramatic poem  in its opening line – the blurred boundary between illusion and reality. Because Peer, whose youth is shaped by the poverty of his farming background, continually reinvents himself with the aid of stories, lies and the arts of fabulation – as a cosmopolitan, a colonial master and even an Emperor.

Peer Gynt

The wedding of Theseus and Hippolyta is just around the corner. But first Theseus has to help his friend Egeus. His daughter Hermia has fallen in love with the wrong man, Lysander. In order to change Hermia's mind, an effective threat is set up. The lovers have only one choice: to flee into the darkness of a dreamy June night. And here, in the pale glow of the wild setting, reality and reason are transformed into sexual desire and animal lust. «A Midsummer Night's Dream» is not only William Shakespeare's best-known comedy, but also perhaps his most abysmal. Stephan Kimmig stages the creatures from Shakespeare's famous fairy world as real-life eccentrics. Weird, unconventional and dazzling, they radically question what is considered normal.

Ein Sommernachtstraum (A Midsummer Night's Dream)
Residenztheater, 19.30 o'clock
Sat 07 Dec
Residenztheater, 19.00 o'clock
Mon 16 Dec
Residenztheater, 18.00 o'clock
Thu 26 Dec
Residenztheater, 19.00 o'clock
Tue 31 Dec
Residenztheater, 19.30 o'clock
Sat 11 Jan
WITH ENGLISH SURTITLES
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Residenztheater, 19.30 o'clock
Tue 14 Jan
WITH ENGLISH SURTITLES
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Residenztheater, 19.30 o'clock
Fri 17 Jan

In her new work, the director Claudia Bauer, who has been invited to the Berlin Theatertreffen four times and is renowned for her work with fast and furious acting ensembles, now tackles someone who typifies Munich, the brilliant comedian Karl Valentin. In her usual, opulent stage language she will devise a homage to the Bavarian whose anarchic approach to language led the critic Alfred Kerr to invent the term «Wortzerklauberer», someone who steals words and tears them to pieces.

Valentiniade. Sportliches Singspiel mit allen Mitteln (Valentiniade. Sporting Singspiel with no Holds barred)
Residenztheater, 18.30 o'clock
Sun 08 Dec
Residenztheater, 19.30 o'clock
Sat 14 Dec
For the last time for now
Residenztheater, 19.30 o'clock
Thu 23 Jan

In Beckett's 1948 classic of absurd theatre, the main characters wait in an open field, torn between a mood of optimism and resignation, for the ominous Godot. In laconic language, Beckett creates one of the most famous and ambiguous pairs of comedians in theatre literature, reinterpreted by in-house director Claudia Bauer.

Warten auf Godot (Waiting for Godot)
Premiere
Residenztheater
Fri 28 Mar

Ensemble