Delschad Numan Khorschid

Delschad Numan Khorschid wurde Anfang der 1980er Jahre im Norden des Irak geboren; seine Familie gehörte zur kurdischen Minderheit. Während der sogenannten «Anfal-Operation» Ende der 1980er Jahre, einem unter dem Baath-Regime von Saddam Hussein verübten Genozid an den Kurden, verlor er seinen Vater und große Teile seiner Familie. Auch nach der «Anfal-Operation» durften kurdische Kinder keine Schule besuchen und blieben staatenlos. Delschad brachte sich Lesen und Schreiben selbst bei – mit Stiftstummeln und Papierfetzen, die er im Müll fand. Nach einer über zweijährigen Flucht kam er 2003 in München an. Die private Schauspielschule in Berlin, an der er 2016 seinen Abschluss machte, war die erste Schule, die er in seinem Leben besuchte. Im selben Jahr erhielt er die deutsche Staatsbürgerschaft und damit den ersten Pass seines Lebens. Seit 2019 ist er Ensemblemitglied des Münchner Residenztheaters. 2025 wurde er für sein Buch «Nirgendwo ist mein Zuhause» (Schillo Verlag) mit dem Bayerischen Kunstförderpreis in der Sparte Literatur ausgezeichnet.

Wie spielst du das, Delschad Numan Khorschid?

Im Gespräch mit Intendant Andreas Beck über aktuelle Premieren und Rollen, aber auch über Werdegang, Eigenarten und persönliche Erfahrungen.

Performing in

WELT/BÜHNE Festival
Marstall, 20.00 o'clock
Tue 23 Jun
Artist Talk afterwards | WITH ENGLISH SURTITLES
Tickets Save date

When Pippi Langstrumpf moves into the abandoned Villa Villekulla, a whirlwind enters the lives of Annika and Tommy. Along with her monkey Mr Nilsson and her horse Little Old Man, Pippi turns the children’s lives upside down. With her charm and humour, the remarkable pirate’s daughter makes fools of anyone who tries to keep her in check, whether they are policemen, bandits or concerned neighbours – because she’s the strongest girl in the world!

 

Pippi Langstrumpf (Pippi Longstocking)
Closed morning performance
Residenztheater, 11.00 o'clock
Wed 24 Jun
Closed morning performance
Residenztheater, 11.00 o'clock
Thu 25 Jun
RESI INCLUSIVE: Including German Sign Language and Deaf performance
Residenztheater, 11.00 o'clock
Sun 5 Jul
Residenztheater, 10.00 o'clock
Mon 27 Jul

Robert Icke has congenially translated Arthur Schnitzler's play «Professor Bernhardi» into the present day. The doctor Ruth Wolff not only comes into conflict with her colleagues and the maxims of the Catholic Church, but also into a media shitstorm. The «Times» of London celebrated «The Doctor» as an «open-heart operation on our present day, which gets more complicated the deeper you cut».

Die Ärztin (The Doctor)
Residenztheater, 19.30 o'clock
Tue 28 Jul
WITH ENGLISH SURTITLES
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The Jewish author Anna Gmeyner, rediscovered only a few years ago – she was forced into exile by the Nazis in 1933 – tells the story of the big world in miniature in Automatenbüfett. While Mrs Adam tries to keep her vending machine restaurant running, Mr Adam pursues his supposedly revolutionary economic vision, which is supposed to serve the good of all. However, with the appearance of the unknown Eva, the eternal order of the small town begins to falter.

Automatenbüfett
Marstall, 19.00 o'clock
Wed 17 Jun
Marstall, 19.00 o'clock
Wed 1 Jul

Imagine that you haven’t been born yet. And imagine too that your whole life so far is unimportant. Just like all the opportunities you might have missed or bad decisions you might have made. Leave it all behind you. In «Now or Never» we are going to make a completely fresh start!

Jetzt oder nie (Now or never)

A longtime favourite of Munich audiences, the exceptional actor Manfred Zapatka, appears as one of William Shakespeare’s great title characters: King Lear. The play is a character study of an ageing, unpredictable patriarch and tyrant. 

König Lear (King Lear)
Premiere
Residenztheater, 19.30 o'clock
Sat 10 Oct

At Whitsun the lion king Nobel invites his subjects to his court for an early summer celebration. The entire animal kingdom gathers – ranging from the crane to the wolf and the bear. Only one animal is missing: the fox called Reineke. As soon as his name his mentioned, the mood of harmony vanishes. One angry accusation follows another and Reinike the fox is charged in his absence with a series of incredible crimes. The cockerel, for example, complains of losing his wife and children – Reineke ate them for supper. When he is eventually put on trial, the accomplished liar – an animal equivalent of Ibsen’s Peer Gynt – manages to pull the wool over everyone’s eyes – man, woman or creature – and slip his neck out of the noose. Eventually he even acquires a whole crowd of followers and is elected Chancellor.

 

The moral of the story is that not everyone with foxy cunning and a talent for oratory puts those gifts to benevolent use – on the contrary! But how can we tell the difference between truth and lies? How can we avoid being taken in by the peddlers of fake news? How can we remain faithful to our own opinions and values?

Reineke Fuchs

Romeo and Juliet set the language of love against the war of their relatives, the language of the dagger. Will they manage to set an example against the irreconcilable enmity that prevails in Verona? In-house director Elsa-Sophie Jach re-stages the world's most famous love story and the dance on the volcano that sweeps its main characters away, with lots of music and hot hearts.

Romeo und Julia (Romeo and Juliet)
Residenztheater, 18.30 o'clock
Thu 4 Jun
Gastspiel, 19.30 o'clock
Wed 10 Jun
Gastspiel, 18.30 o'clock
Thu 11 Jun
Residenztheater, 19.30 o'clock
Thu 16 Jul
WITH ENGLISH SURTITLES
Tickets Save date
Residenztheater, 16.00 o'clock
Sun 19 Jul
WITH ENGLISH SURTITLES
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Ensemble