Geboren 1993 in Marl, studierte Pujan Sadri Schauspiel an der Folkwang Universität der Künste in Bochum. Erste Theatererfahrungen machte er vor seinem Studium am Düsseldorfer Schauspielhaus. Während seines Studiums blieb er weitestgehend in Bochum. Sein erstes Festengagement führte ihn 2021 ans Theater Osnabrück.
Ab der Spielzeit 2022/2023 ist er festes Ensemblemitglied am Residenztheater.
In «Archive of Tears» Magdalena Schrefel invents a commemorative space that preserves the most fleeting signs of human feelings – tears. This universal, human, salty secretion that leaks from the organs of our sight, the eyes, seems to combine the body and emotion, the mind and chemistry in an almost alchemical fashion: feelings – of movement, grief or joy – are translated into a physical language.Archiv der Tränen (ARCHIVE OF TEARS)
«Once the social order has been consolidated, anyone who is not alarmed by reality is as free as they wish,» Jean Jourdheuil wrote about Labiche’s work. But in this play, that alarm is felt: Lenglumé begins to realise what he might be capable of and as a result – at least for a day – his self-assurance and satisfaction crumble.Die Affäre Rue de Lourcine (THE AFFAIR IN THE RUE DE LOURCINE)
For the city of Munich, the 1972 Olympic Games are a giant step towards the future. How the Cold War was reflected in the «cheerful games» of 1972, why violence in the form of international terrorism came to the Olympic village despite all efforts to the contrary, and what consequences this continues to have today are investigated by the directing team of Regine Dura and Hans-Werner Kroesinger using eyewitness accounts, investigation files, newspaper articles and interviews with people who were there and saw what happened.Die Spiele müssen weitergehen – München 1972 (THE GAMES MUST GO ON – MUNICH 1972)