Moritz Treuenfels

Geboren 1988 in Eutin, absolvierte Moritz Treuenfels seine Schauspielausbildung von 2010 bis 2014 an der Otto-Falckenberg Schule in München. Erste Engagements während des Studiums führten ihn an die Münchner Kammerspiele. 2015 wurde er Ensemblemitglied am Düsseldorfer Schauspielhaus und erhielt dort 2016 den Publikumspreis «Gustaf» als bester Schauspieler. Zwischen 2016 und 2019 spielte er als Teil des Ensembles im Hans Otto Theater in Potsdam, bis er dann für die Spielzeit 2019/2020 an das Theater Basel wechselte. Seit der Spielzeit 2020/2021 ist Moritz Treuenfels festes Ensemblemitglied am Residenztheater. 2023 wurde er mit dem Preis der Deutschen Filmkritik als bester Darsteller für seine Rolle des Julius im Kinofilm «Axiom» ausgezeichnet.

 

Wie spielst du das, Moritz Treuenfels?

Im Gespräch mit Intendant Andreas Beck über aktuelle Premieren und Rollen, aber auch über Werdegang, Eigenarten und persönliche Erfahrungen.

Performing in

Judge Adam has a serious problem: not only does he have to cope with the severe effects of his nightly alcohol consumption, but also the sudden appearance of his superior Walter, who intends to take a close look at the administration of law in the provinces. Adam is forced to try a case publicly in court where he is obliged to investigate himself, which uses all the means at his disposal to conceal. Kleist’s disturbing comedy turns into an investigative drama about a veritable legal scandal.

Der zerbrochne Krug (The broken jug)
Premiere
Cuvilliéstheater
Fri 28 Nov
If applicable, remaining tickets
Save date
Cuvilliéstheater, 19.30 o'clock
Sun 30 Nov
Cuvilliéstheater, 19.30 o'clock
Thu 11 Dec
Cuvilliéstheater, 19.00 o'clock
Fri 12 Dec
6.30 p.m. Introduction
Tickets Save date

In poetic images and with moving music, the ensemble of actors, dancers and singers tell a drama about the unfulfilled love of Hans Christian Andersen's unfulfilled love and how the famous fairy tale writer fairy tale poet merges with one of his most famous characters, the the little mermaid. Andersen's escape from reality becomes a touching, visually stunning theatre event.

Andersens Erzählungen (Andersen’s stories)

Robert Icke has congenially translated Arthur Schnitzler's play «Professor Bernhardi» into the present day. The doctor Ruth Wolff not only comes into conflict with her colleagues and the maxims of the Catholic Church, but also into a media shitstorm. The «Times» of London celebrated «The Doctor» as an «open-heart operation on our present day, which gets more complicated the deeper you cut».

Die Ärztin (The Doctor)
Residenztheater, 19.30 o'clock
Fri 14 Nov
WITH ENGLISH SURTITLES
Tickets Save date
Residenztheater, 18.30 o'clock
Sun 23 Nov
WITH ENGLISH SURTITLES
Tickets Save date
Residenztheater, 19.30 o'clock
Thu 04 Dec
Residenztheater, 19.30 o'clock
Wed 17 Dec
WITH ENGLISH SURTITLES
Tickets Save date

Hollywood, glamour, seduction: Mara becomes a star in the game «Daddy». But the deeper she immerses herself in the dazzling dream world, the more the boundaries between reality and fiction become blurred. Marion Siéfert and Matthieu Bareyre transform the stage into a virtual playing field and expose the promises and abysses of the digital world.

Daddy
Marstall, 20.00 o'clock
Mon 22 Dec

The Australian writer and director Simon Stone took Chekhov’s famous play as the starting point for his rewriting – voted «Play of the Year 2017» in «Theater heute» magazine – that combines rapid fire dialogue, subtle character studies and the ambivalence that arises from them while locating the play thematically in the here and now.

Drei Schwestern (Three sisters)

New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s. 

Das Vermächtnis (The Inheritance) – Part 1

New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s.

Das Vermächtnis (The Inheritance) – Part 2

No other play by Heinrich von Kleist inspires quite so many superlatives as «Käthchen of Heilbronn». It is not only the most successful, but also the most romantic, the most fairy tale-like and at the same time the most mysterious play that he wrote.

Das Käthchen von Heilbronn (Käthchen of Heilbronn)

Intrigues, conspiracies, political intrigues - Schiller's tragedy depicts the power struggle between the English Queen Elizabeth I and the Scottish Queen Mary Stuart. But what if only chance decides between power and powerlessness? Then the roles could also be «swapped». For each performance, a draw is held to decide which of the two actresses will play the victor or the vanquished.

Maria Stuart
Residenztheater, 19.30 o'clock
Sat 08 Nov
WITH ENGLISH SURTITLES
Tickets Save date
7 p.m. Introduction
Residenztheater, 19.30 o'clock
Fri 21 Nov
Residenztheater, 19.30 o'clock
Thu 04 Dec
7 p.m. Introduction
Tickets Save date
7 p.m. Introduction
Residenztheater, 19.30 o'clock
Fri 19 Dec
WITH ENGLISH SURTITLES
Tickets Save date

Ensemble