Ilja Mirsky

Dramaturg / Digitaldramaturg

llja Mirsky studierte Kognitionswissenschaften an der Universität Tübingen, Politik, Literatur und Psychologie an der Universität Haifa (Israel) und Performance Studies an der Universität Hamburg. Er unterrichtet zu immersiven Medien und digitaler Dramaturgie an der ADK Ludwigsburg, der Universität Tübingen und an der University of Arts Helsinki. Von 2019 bis 2022 war er Dramaturg und regelmäßig auch Programmierer am Institut für theatrale Zukunftsforschung (ITZ) im Tübinger Zimmertheater.
Seit der Spielzeit 2022/2023 ist er Digitaldramaturg und Dramaturg am Residenztheater.

Productions

Marstall, 20.00 o'clock
Tue 10 Dec
Welt/Bühne | For the last time
Marstall, 20.00 o'clock
Sat 21 Dec

«Yes - No», «Light - Dark», «There - Away», «Breakfast or not», «War or not» - author Nele Stuhler has collected lists of opposites that question the depths of everyday life as well as the very big world situation and put them into poem form. A poetic and highly comical concert of contradictions performed by three actors on an open stage.

Und oder oder oder oder und und beziehungsweise und oder beziehungsweise oder und beziehungsweise einfach und
Marstall, 20.00 o'clock
Sat 07 Dec
Marstall, 20.00 o'clock
Mon 16 Dec
Marstall, 19.00 o'clock
Thu 26 Dec
Marstall, 20.00 o'clock
Tue 31 Dec
Marstall, 19.00 o'clock
Mon 06 Jan
Marstall, 20.00 o'clock
Sat 11 Jan
Artist talk afterwards
Marstall, 20.00 o'clock
Fri 17 Jan

«And often the outward signs of ascent only become apparent once the decline has begun again.» In his 1901 novel, subtitled «The Decline of a Family», Thomas Mann uses precise characterisation and an ironic style to describe the incipient structural collapse of the grande bourgeoisie. Mann drew his inspiration for «Buddenbrooks» from the story of his own family in Lübeck and people of the city where he was living at the time: Munich. Mann shows the potential complexity of relations between North and South Germany with considerable humour in the relationship between Tony Buddenbrook and the Munich hop-trader Alois Permaneder.

Buddenbrooks

In her artistic work, Marion Siéfert searches for theater in the depths of our increasingly digitalized reality. She uses the stage and its long tradition of playing with identity to create a world in which reality and fiction blur into one another, but at the same time brutally collide. In this gamified parallel world, she encounters dozens of players who increasingly cast a spell over her. Among them is twenty-seven-year-old Julien, who invites her to try out the newly released game «Daddy».

Daddy
Premiere
Marstall
Sat 25 Jan
Premiere
Marstall, 20.00 o'clock
Wed 29 Jan

A prince of fashion and a fairy-tale king. A bird of paradise and a cult figure. A Munich original and a philanthropist. During the course of his lifetime, Rudolph Moshammer was given countless of these nicknames and soubriquets. Everyone recognized him as an eccentric with his dog Daisy on his arm, a talk show guest and man of society. Like his role model, Bavaria’s fairy-tale king Ludwig II, he loved glamour, opulence, and excess. In his appearances as an actor and in advertisements, as a singer in the preliminary round for the Eurovision Song Contest and with books like «Mama und ich» (Mama and Me), he became a cult figure and his fashion boutique «Carnaval de Venise» in Maximilianstraße became a cult address and place of pilgrimage for Mosi fans.

MOSI - The Bavarian Dream
Marstall, 19.00 o'clock
Wed 25 Dec
Marstall, 20.00 o'clock
Sat 04 Jan
Marstall, 20.00 o'clock
Fri 31 Jan