Thomas Lettow

In poetic images and with moving music, the ensemble of actors, dancers and singers tell a drama about the unfulfilled love of Hans Christian Andersen's unfulfilled love and how the famous fairy tale writer fairy tale poet merges with one of his most famous characters, the the little mermaid. Andersen's escape from reality becomes a touching, visually stunning theatre event.

During the global economic crisis of the 1920s, a young woman tries out self-realization and yet ends up in a restrictive marriage, confronted with misogyny and male bonding as well as the rise of National Socialism. Elsa-Sophie Jach adapts Marieluise Fleisser's only novel for the stage.

The Oktoberfest is a place of amusement and welcome distraction, even in the midst of the global economic crisis of the early 1930s. But it is a place that puts the love between Casimir, a redundant chauffeur, and Caroline, an office worker, to the test. In the world of the petit bourgeois, people seek comfort in alcoholic excess as the hour gets late and the chasms between them are revealed.  Horváth’s kaleidoscope of characters, whose monstrosity lies in their banality, shows the people of their time and how they are subject to economic necessity.

Ishmael signs on to the «Pequod», an old whaler. However, it soon becomes clear that the aim of the voyage is not just to exploit the world's oceans and their giant marine mammals, but Captain Ahab's personal vendetta. Melville's «Moby Dick» - brought to the stage by Stefan Pucher - is both an adventurous sailor's yarn and a reflection on the fatal art of seduction of a demagogue.

Romeo and Juliet set the language of love against the war of their relatives, the language of the dagger. Will they manage to set an example against the irreconcilable enmity that prevails in Verona? In-house director Elsa-Sophie Jach re-stages the world's most famous love story and the dance on the volcano that sweeps its main characters away, with lots of music and hot hearts.

Based on Oscar Wilde's famous one-act play, Polish director Ewelina Marciniak completely reinterprets the character of Salome. She is no longer a scandalised femme fatale, but a young woman who tries to free herself from the constraints of her surroundings by any means necessary.