Isabell Antonia Höckel

Geboren in Stuttgart, studierte Isabell Antonia Höckel zunächst Theaterwissenschaft und Anglistik in Bochum, bevor sie für das Schauspielstudium an der Otto-Falckenberg-Schule nach München zog. Bereits während ihres dritten Studienjahres wirkte sie in Produktionen am Residenztheater und den Münchner Kammerspielen mit. In der Spielzeit 2022/2023 trat sie dann ihr erstes festes Engagement am Residenztheater München an und arbeitete seitdem u.a. mit Claudia Bauer, Sebastian Baumgarten, Miriam Ibrahim, Philip J Morris und Philipp Stölzl zusammen.

Isabell Antonia Höckel wurde 2019 mit einem Stipendium des Deutschen Bühnenvereins ausgezeichnet und erhielt 2023 den Bayerischen Kunstförderpreis in der Sparte Darstellende Kunst. Des Weiteren erhielt sie im Rahmen der Kurt-Meisel-Preisverleihung 2024 den Förderpreis für besondere schauspielerische Begabung und Leistung. 

 

Performing in

Hong-Do Lee's play is about the playwright Hong-Do Lee, who wants to write a play, and a queer play at that. But how does that actually work? The opinions of colleagues, critics and jury chairpersons - and his historical role models - shoot through his head.

AUTOBIOGRAPHY BY HONG-DO LEE (MY LIFE IN ART)

München hat zuletzt gezeigt, wie es starke Zeichen gegen den Rechtsruck, gegen das Vergessen und für die Demokratie setzen kann. An diesem Abend liest das Ensemble: Gegen den Hass, für eine offene Gesellschaft und für ein respektvolles Miteinander, ohne das Theater und Kultur nicht überlebensfähig sind. Wir laden Sie ein, sich zu setzen, zuzuhören und miteinander in den Austausch zu gehen.

Gegen den Hass

One stormy night in 1836, Hans Christian Andersen arrives uninvited at the home of his childhood friend Edvard Collin, who is to marry his fiancée Henriette the next day. Andersen has travelled through the wind and the rain to once again confess his love for Edvard. The family provide a frosty reception and the groom himself is out celebrating his last night as a bachelor. Only Henriette feels attracted to the unconventional charm of their guest, who lives in a fantasy world continually surrounded by characters from his own fairy tales. He magically transforms a sober room into a sparkling underwater landscape and castles of otherworldly beauty. And he starts telling his friend’s fiancée the fairy tale of The Little Mermaid: burning with love for a Prince, she wishes to become human and is willing to sacrifice her voice and her home to do so – risking her life.

Andersens Erzählungen (ANDERSEN’S STORIES)
FOR THE LAST TIME THIS SEASON
Residenztheater, 18.30 o'clock
Sun 30 Jun
WITH ENGLISH SURTITLES
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In the two volumes of poetry that were published before her early death, May Ayim finds a concise, poetic language with which she processes her experiences of racism and lack of understanding alongside her childhood and her desire for love, her joy and her sadness. She plays with sounds, methods of writing and letters, and yet always finds very clear words for what needs to change in Germany.

blues in schwarz weiss (BLUES IN BLACK AND WHITE)
For the last time
Marstall, 20.00 o'clock
Tue 09 Jul
WITH ENGLISH SURTITLES
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Imagine that you haven’t been born yet. And imagine too that your whole life so far is unimportant. Just like all the opportunities you might have missed or bad decisions you might have made. Leave it all behind you. In «Now or Never» we are going to make a completely fresh start!

Jetzt oder nie (NOW OR NEVER)
Residenztheater, 20.00 o'clock
Thu 11 Jul

«Peer, you’re lying!»: Henrik Ibsen immediately highlights the key theme of his dramatic poem  in its opening line – the blurred boundary between illusion and reality. Because Peer, whose youth is shaped by the poverty of his farming background, continually reinvents himself with the aid of stories, lies and the arts of fabulation – as a cosmopolitan, a colonial master and even an Emperor.

Peer Gynt

In her new work, the director Claudia Bauer, who has been invited to the Berlin Theatertreffen four times and is renowned for her work with fast and furious acting ensembles, now tackles someone who typifies Munich, the brilliant comedian Karl Valentin. In her usual, opulent stage language she will devise a homage to the Bavarian whose anarchic approach to language led the critic Alfred Kerr to invent the term «Wortzerklauberer», someone who steals words and tears them to pieces.

Valentiniade. Sportliches Singspiel mit allen Mitteln (VALENTINIADE. SPORTING SINGSPIEL WITH NO HOLDS BARRED)
Residenztheater, 19.30 o'clock
Mon 24 Jun
Residenztheater, 20.00 o'clock
Wed 10 Jul

Ensemble