Michael Goldberg

Geboren 1959, erhielt Michael Goldberg seine Ausbildung an der Neuen Münchner Schauspielschule und trat am Theater Hildesheim sein erstes Engagement an. Weitere Engagements führten ihn nach Mannheim, Freiburg und Frankfurt am Main, bevor er 2013 Ensemblemitglied am Deutschen Theater Berlin wurde. In Inszenierungen der Salzburger Festspiele war er bereits mehrmals auf der Bühne des Residenztheaters zu erleben. In Frankfurt sowie am Schauspiel Köln, am Deutschen Theater Berlin und an der Schaubühne Berlin arbeitete Michael Goldberg u. a. mit Christopher Rüping, Jette Steckel, Karin Henkel, Stefan Pucher, Barbara Frey, René Pollesch und Antu Romero Nunes. Seit der Spielzeit 2019/2020 ist er festes Ensemblemitglied am Residenztheater.

Performing in

The legendary musical «Cabaret» entices us into the dazzling world of the Kit Kat Club in the 1930s. Every night the enigmatic Sally Bowles thrills the audience with her famous song «Life is a Cabaret», a celebration of decadence and diversity. The young American Clifford Bradshaw is caught up in this intensely sensual world. Yet, at the same time, something dark is becoming an ever-stronger presence in the daily lives of these exuberant fun-lovers.

Cabaret
Premiere
Residenztheater
Fri 12 Dec
If applicable, remaining tickets
Save date
Residenztheater, 18.30 o'clock
Sun 14 Dec
Residenztheater, 19.30 o'clock
Tue 16 Dec
Residenztheater, 18.30 o'clock
Sun 28 Dec
WITH ENGLISH SURTITLES
Tickets Save date
Residenztheater, 19.00 o'clock
Wed 31 Dec
Residenztheater, 19.30 o'clock
Thu 8 Jan
WITH ENGLISH SURTITLES
Tickets Save date
Residenztheater, 19.30 o'clock
Thu 15 Jan
Residenztheater, 19.30 o'clock
Thu 22 Jan
WITH ENGLISH SURTITLES
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Oedipus, the lead candidate of a new political movement, is as good as assured of election victory. But why are the circumstances of his predecessor’s fatal road traffic accident classified? And what is the fake news regarding his origins about? Oedipus starts to investigate – despite all the warnings. As in his updating of Schnitzler’s «The Doctor», Robert Icke has radically translated a theatre classic into the present. Icke’s «Oedipus» looks behind the myth and is both a family tragedy and a political thriller.

Ödipus (Oedipus)
Premiere
Residenztheater
Fri 24 Apr

After a quarter of a century, Brandner Kaspar returns to the Residenztheater - and how! Based on Franz von Kobell's dialect tale, Franz Xaver Kroetz tells the story of the stubborn Bavarian who won't even bow to death in the flesh, the Boanlkramer, in a very honest and touching, yet completely unsentimental and humorous way. Günther Maria Halmer also returns to the Residenztheater as Kaspar Brandner and, together with Munich film, theatre and opera director Philipp Stölzl, they will bring the «Gschichtn vom Brandner Kaspar» to the stage as a «big picture book, because the play is of course a fairy tale».

Gschichtn vom Brandner Kaspar (Stories from Brandner Kaspar)
Residenztheater, 19.30 o'clock
Thu 18 Dec
Residenztheater, 18.30 o'clock
Thu 25 Dec
Residenztheater, 18.30 o'clock
Thu 1 Jan
Residenztheater, 18.30 o'clock
Sun 18 Jan
Residenztheater, 19.30 o'clock
Sat 24 Jan
Residenztheater, 15.00 o'clock
Sun 25 Jan

New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s. 

Das Vermächtnis (The Inheritance) – Part 1

New York City in the final months of the Obama Presidency. While the writer Toby Darling feverishly awaits the premiere of his play, his partner Eric Glass spends time with his acquaintance Walter. His conversations with the 55-year-old take Eric back to a past which as a gay man in his early thirties he only knows from hearsay: the devastating AIDS epidemic that rocked the LGBTQ community at the beginning of the 1980s.

Das Vermächtnis (The Inheritance) – Part 2

Yasmina Reza, the celebrated author of hit social comedies such as «The God of Carnage» and «Life x 3» and bestselling novels – most recently «Serge» – has written a new play that incisively dramatises the profound problems of understanding that increasingly dominate relations between generations.

James Brown trug Lockenwickler (James Brown wore curlers)

Ishmael signs on to the «Pequod», an old whaler. However, it soon becomes clear that the aim of the voyage is not just to exploit the world's oceans and their giant marine mammals, but Captain Ahab's personal vendetta. Melville's «Moby Dick» - brought to the stage by Stefan Pucher - is both an adventurous sailor's yarn and a reflection on the fatal art of seduction of a demagogue.

Moby Dick
Residenztheater, 19.30 o'clock
Sat 20 Dec
For the penultimate time
Residenztheater, 19.30 o'clock
Wed 7 Jan
WITH ENGLISH SURTITLES
Tickets Save date

Vladimir and Estragon are waiting for Godot, who they neither know who he is nor what they actually want from him. With his ambiguous work about waiting and the passing of time, which has been interpreted in all directions, Nobel Prize winner Samuel Beckett created one of the classics of modernism, which in-house director Claudia Bauer reinterprets.

Warten auf Godot (Waiting for Godot)
Residenztheater, 19.30 o'clock
Mon 5 Jan
7 p.m. Introduction
Residenztheater, 19.30 o'clock
Tue 27 Jan

Ensemble