Juliane Köhler

Geboren 1965 in Göttingen, erhielt sie nach ihrer Schauspielausbildung bei Uta Hagen in New York ihr erstes Engagement am Staatstheater Hannover. 1993 wechselte sie nach München an das Residenztheater. Als Filmschauspielerin wurde sie durch ihre Rollen in «Aimée und Jaguar», «Pünktchen und Anton» sowie dem Oscar-prämierten Film «Nirgendwo in Afrika» bekannt. 1998 erhielt sie den Bayrischen Filmpreis, 1999 wurde sie mit dem Bundesfilmpreis als »Beste Schauspielerin» und dem Silbernen Bären der Berlinale ausgezeichnet. In Hauptrollen war sie außerdem in den Oscar-nominierten Filmen «Der Untergang» und «Zwei Leben» im Kino zu erleben. Nach einem Engagement an den Münchner Kammerspielen ist sie seit 2001 wiederum Ensemblemitglied am Residenztheater, wo sie mit Amélie Niermeyer, Dieter Dorn, Jan Bosse, Barbara Frey, Karin Henkel, Martin Kušej, Ulrich Rasche und Tina Lanik arbeitete.

Performing in

In her autobiographical memoir «A Girl’s Story», published in 2016, the French writer Annie Ernaux attempts to understand a deeply formative experience in her own life. What happened to her, a young woman aged 18 at the time, in the summer of 1958? Between fragments of memories, diary entries, letters and decades-old photos, the author undertakes an almost forensic analysis of what happened, its effects and the social frameworks and sexual double standards that grant or refuse entirely different forms of «freedom» to men and women respectively. «A Girl’s Story» shows an almost 80-year-old woman painfully confronting sexual shame, impotence and self-empowerment and is – shortly before the #MeToo movement arose – a touching and highly political document of putting an end to silence.

Erinnerung eines Mädchens (A Girl's Story)
Marstall, 19.00 o'clock
Sun 04 Dec
Marstall, 20.00 o'clock
Thu 22 Dec
Marstall, 20.00 o'clock
Tue 27 Dec

Elisabeth Gärtner, a retired architect, has only one more wish: she wants to die. Her beloved husband died of cancer three years ago and without him life has no meaning for her any more. A drug that would allow her to die of her own volition has been refused her. Now the Ethics Council must make a decision on her case. Expert witnesses from the fields of law, medicine and theology argue over the question:  Does a human being have a right to determine their own death? Are doctors allowed to help someone commit suicide? And who do our lives actually belong to? To us? To the state? Or to God?

Gott (God)

The Munich dramatist Frank Wedekind spent over twenty years working on what he called his monster tragedy which, due to harsh censorship, would never be performed in his home city during his lifetime. It was too indecent, too lewd. In Lulu, Wedekind created a snake, a creature «to tempt, to seduce» – and to murder. For her lovers, Lulu is like a screen onto which they can project their desires – whatever a man wants, he will find it in her. And it goes further: Lulu’s seductions drive an entire succession of her lovers in Munich and Paris to their deaths until she ultimately throws herself into death’s arms in the back streets of London.

Lulu
Residenztheater, 20.00 o'clock
Tue 06 Dec
Residenztheater, 19.30 o'clock
Sat 07 Jan
Gastspiel, 19.30 o'clock
Wed 11 Jan
Gastspiel, 19.30 o'clock
Thu 12 Jan

Ensemble