Franziska Hackl

The director Elsa-Sophie Jach, who recently made her debut at the Residenztheater with her production of Herbert Achternbusch’s «Heart of Glass», brings the outrageous love poetry of «Europe’s first poet» to new life. Known for a directing style characterised by precise language and strong visuals, she hunts down the forgotten remains of Sappho’s poems, condenses them into a chorus and, on a tour through the literary canon together with the Munich techno live band SLATEC, she exposes the systematic erasure of the female voice, its silencing and the need for it to empower itself.

The Australian writer and director Simon Stone took Chekhov’s famous play as the starting point for his rewriting – voted «Play of the Year 2017» in «Theater heute» magazine – that combines rapid fire dialogue, subtle character studies and the ambivalence that arises from them while locating the play thematically in the here and now.

After fifteen years in exile, Orestes returns incognito to his home city of Argos – the same city in which his father Agamemnon was murdered by his wife Clytemnestra and her lover Aegisthus on his victorious return from Troy. However, desire for revenge is not the reason for his spontaneous homecoming – it is the rumour of a mysterious plague of flies. When his sister Electra persuades him to stay, it gradually dawns on him that Clytemnestra and Aegisthus are not only cruelly oppressing the people, they have also implicated him in Agamemnon’s murder. Only then does Orestes decide to take action.