Alexander Eisenach

Born in East Berlin in 1984, author and director Alexander Eisenach studied theatre studies and German language and literature in Leipzig and Paris before joining the Centraltheater Leipzig as an assistant director. During the 2013/14 season, he was a member of the directing studio at Schauspiel Frankfurt. His first play, «Das Leben des Joyless Pleasure (The Life of Joyless Pleasure)», premiered there in 2014. Since then, he has been working as a freelance director at the Schauspiel Hannover, Schauspiel Graz, Düsseldorfer Schauspielhaus, Deutsches Theater Berlin and Berliner Ensemble, among others. He was awarded the 2016 Kurt Hübner Directing Prize for the production of his play «Der kalte Hauch des Geldes (The Cold Breath of Money)». From 2016 to 2019, Eisenach was resident director at the Schauspiel Hannover. For his 360° livestream production «Anthropos, Tyrann (Ödipus)» at the Volksbühne Berlin, he was nominated for the Nestroy Award in 2021 in the category «Best German-Language Performance»

 

Since the 2020/2021 season, he has been directing regularly at the Residenztheater. Here he created the works «Einer gegen Alle (One Against All)» based on Oskar Maria Graf, «Der Schiffbruch der Fregatte Medusa (The Shipwreck of the Frigate Medusa)», «Götz von Berlichingen» based on Johann Wolfgang Goethe, «Mosi – The Bavarian Dream», «Sankt Falstaff» by Ewald Palmetshofer, loosely based on Shakespeare's «King Henry IV» and most recently «Der Untertan (The Loyal Subject)».Alexander Eisenach has been resident director at the Residenztheater since the 2023/2024 season.

Productions

Heinrich Mann’s perceptive bildungsroman published in 1914 «The Loyal Subject» is a wickedly humorous portrait of the Wilhelmine Empire and its self-congratulatory middle classes with their nationalistic fantasies of being a great power. Mann’s protagonist Diederich Hessling is a spineless opportunist with no moral courage. He only forgets his insecurities at the stammtisch, working himself up to give great nationalistic speeches. However, Mann does not present Hessling as a joke – he is a complex but ultimately warped personality with a blind faith in authority.

Der Untertan (The Loyal Subject)
Cuvilliéstheater, 20.00 o'clock
Thu 2 Apr
Cuvilliéstheater, 20.00 o'clock
Wed 8 Apr
Cuvilliéstheater, 20.00 o'clock
Wed 29 Apr

When Goethe set «Götz von Berlichingen» down on paper in 1771 in a true writing frenzy, the 22-year-old writer was still a complete unknown. This came to an abrupt end with the publication of «Götz», as suddenly the young poet was being talked about everywhere. Goethe’s early work is a powerful stage epic with over fifty locations, several plots running in parallel and a huge cast of characters. What is more: Goethe dispensed with all the customary conventions that 18th century drama had been using up to that point.

Götz von Berlichingen
Cuvilliéstheater, 19.30 o'clock
Thu 5 Mar
Cuvilliéstheater, 20.00 o'clock
Thu 23 Apr
Theatertag
Cuvilliéstheater, 20.00 o'clock
Sun 26 Apr

Intrigues, conspiracies, political intrigues - Schiller's tragedy depicts the power struggle between the English Queen Elizabeth I and the Scottish Queen Mary Stuart. But what if only chance decides between power and powerlessness? Then the roles could also be «swapped». For each performance, a draw is held to decide which of the two actresses will play the victor or the vanquished.

Maria Stuart
Residenztheater, 19.30 o'clock
Fri 27 Mar
WITH ENGLISH SURTITLES
Tickets Save date

A prince of fashion and a fairy-tale king. A bird of paradise and a cult figure. A Munich original and a philanthropist. During the course of his lifetime, Rudolph Moshammer was given countless of these nicknames and soubriquets. Everyone recognized him as an eccentric with his dog Daisy on his arm, a talk show guest and man of society. Like his role model, Bavaria’s fairy-tale king Ludwig II, he loved glamour, opulence, and excess. In his appearances as an actor and in advertisements, as a singer in the preliminary round for the Eurovision Song Contest and with books like «Mama und ich» (Mama and Me), he became a cult figure and his fashion boutique «Carnaval de Venise» in Maximilianstraße became a cult address and place of pilgrimage for Mosi fans.

MOSI - The Bavarian Dream
Marstall, 20.00 o'clock
Sat 28 Feb

Austrian playwright Ewald Palmetshofer translates Shakespeare's royal drama «King Henry IV» into the present day of eroding democracies with sophisticated language and defiant humour.

Sankt Falstaff (Saint Falstaff)
6.30 p.m. Introduction
Residenztheater, 19.00 o'clock
Wed 4 Mar