Katrin Michaels
Katrin Michaels studierte Theaterwissenschaft, Neuere deutsche Literatur und Psychologie an der Freien Universität Berlin. Während des Studiums Assistenzen und Hospitanzen u.a. an der Schaubühne am Lehniner Platz, am Maxim Gorki Theater und an den Sophiensaelen. Von 2007 bis 2009 war sie als Dramaturgieassistentin am Schauspiel Hannover engagiert, als Dramaturgin von 2009 bis 2011 am Theater Bielefeld, von 2011 bis 2014 am Düsseldorfer Schauspielhaus und von 2015 bis 2019 am Theater Basel. Zusammenarbeit u.a. mit Thom Luz, Nora Schlocker, Staffan Valdemar Holm, Calixto Bieito, Martin Laberenz und Schorsch Kamerun.
Productions
«Yes - No», «Light - Dark», «There - Away», «Breakfast or not», «War or not» - author Nele Stuhler has collected lists of opposites that question the depths of everyday life as well as the very big world situation and put them into poem form. A poetic and highly comical concert of contradictions performed by three actors on an open stage.
Und oder oder oder oder und und beziehungsweise und oder beziehungsweise oder und beziehungsweise einfach undDr. Ruth Wolff is a celebrated doctor and agnostic Jew. When she refuses a Catholic priest access to a young patient in a terminal condition, the incident soon has major repercussions and Ruth finds herself at the centre of a media shitstorm that threatens her entire way of life.
The writer and director Robert Icke has transposed Arthur Schnitzler’s play «Professor Bernhardi» (1912) vividly into the present. The «Times» of London described «The Doctor» as being «as slippery, muscular and complex as a human heart, more intricate the deeper his dissection goes.»
Die Ärztin (The Doctor)You are how you speak. Professor of Phonetics Higgins makes a bet with his friend Pickering that he can turn the energetic Eliza Doolittle, who sells flowers in the street to make ends meet and speaks the broadest dialect, into an upper-class lady with immaculate articulation. Eliza proves to be a disciplined and talented pupil who manages to pass the test of entering high society. Higgins attributes this success to his own genius and automatically lays claim to her. He fails to notice that his teaching has helped Eliza to become a self-aware and thoughtful woman who is not only capable of making her own decisions but of acting on them too.
PygmalionRomeo and Juliet set the language of love against the war of their relatives, the language of the dagger. Will they manage to set an example against the irreconcilable enmity that prevails in Verona? In-house director Elsa-Sophie Jach re-stages the world's most famous love story and the dance on the volcano that sweeps its main characters away, with lots of music and hot hearts.
Romeo und Julia (Romeo and Juliet)Jovana Reisinger’s novel follows nine women from early spring to the summer of an unspecified year not far from the present. All of them live in or around Munich and they are all named after women’s magazines. They live and fail representatively, each of them alone and yet collectively, by the images and ideals of what it means to be a woman.
SpitzenreiterinnenIn his historical miniatures, Stefan Zweig brings together brilliant achievements in European history that tell of unbreakable vitality as well as human weaknesses. In Thom Luz' poetic and musical production, they become archive material that is explored, sung about, brought to life in brief moments and also set in relation to Stefan Zweig's own biography and his journey into exile in Brazil.
Sternstunden der Menschheit (Decisive moments in history)What happens with dementia and how can we deal with this phenomenon? Director Anna Karasińska and journalist Jürgen Berger explore the disease in a poetic evening of theatre that highlights the fragility of human existence and our basic assumptions of identity. Their search for clues leads them to a dementia village in Thailand, where care is provided in a completely different way to that in German care homes.
Was ich vergessen habe (What I’ve forgotten)