Mareike Beykirch

Geboren 1986 in Quedlinburg, arbeitete Mareike Beykirch zunächst als Regieassistentin am Theater Osnabrück. Ihre Schauspielausbildung absolvierte sie von 2008 bis 2012 an der Hochschule für Musik und Theater «Felix Mendelssohn Bartholdy» Leipzig. Bereits während des Studiums war sie von 2010 bis 2012 Mitglied im Studio am Centraltheater Leipzig. Ihr Erstengagement führte sie an das Düsseldorfer Schauspielhaus. Mareike Beykirch war von 2013 bis 2019 Ensemblemitglied am Maxim Gorki Theater in Berlin. 2013 und 2018 wurde sie von der Kritikerumfrage der Zeitschrift «Theater heute» zur Nachwuchsschauspielerin des Jahres nominiert. Mareike Beykirch ist seit der Spielzeit 2019/2020 Ensemblemitglied am Residenztheater. Beim Berliner Theatertreffen 2019 war sie Stipendiatin des Internationalen Forums. Sie arbeitete u. a. mit Falk Richter, Nora Abdel-Maksoud, Schorsch Kamerun, Yael Ronen, Christian Weise, András Dömötör und Nurkan Erpulat zusammen.

Performing in

Disappearing, fading away, vanishing and escaping – Aristophanes’s comedies deal with everything in the world that is ephemeral: life, happiness, property, knowledge and trust. They tell us about the complicated business of being human, about the problem of the just distribution of wealth, about greed, twisted rhetoric, and the eternal incompatibility between theory and practice.

Die Wolken, die Vögel, der Reichtum (The clouds, the birds, wealth)

In his plays, the Chilean director and playwright Guillermo Calderón achieves an entirely original combination of humour and political power. Many of his texts are highly comic tales of the prejudice, ignorance and egotism that come to light through intercultural exchange. His latest play for the Residenztheater tells of the efforts of a religious sect in Munich to advertise for a newly founded settlement in Chile.

Bavaria
Marstall, 20.00 o'clock
Thu 30 Mar
Marstall, 20.00 o'clock
Mon 03 Apr
Marstall, 19.00 o'clock
Sun 23 Apr

«Once the social order has been consolidated, anyone who is not alarmed by reality is as free as they wish,» Jean Jourdheuil wrote about Labiche’s work. But in this play, that alarm is felt: Lenglumé begins to realise what he might be capable of and as a result – at least for a day – his self-assurance and satisfaction crumble.

Die Affäre Rue de Lourcine (THE AFFAIR IN THE RUE DE LOURCINE)
Residenztheater, 19.30 o'clock
Sat 25 Mar
Residenztheater, 19.30 o'clock
Tue 28 Mar
WITH CHILDREN'S CARE
Residenztheater, 16.00 o'clock
Sun 02 Apr
Residenztheater, 19.30 o'clock
Wed 12 Apr
Residenztheater, 20.00 o'clock
Fri 14 Apr
Residenztheater, 19.30 o'clock
Sat 29 Apr

On the basis of interviews that the journalist and writer Jürgen Berger conducted with trans* people in Thailand and Germany between 2017 and 2022, the production explores the gap in society which these people inhabit in both countries.

I Don't Care ไม่ว่าอย่างไร

Ensemble