Noah Saavedra

Gast

Geboren 1991 in Oberpullendorf und in Wien aufgewachsen, studierte Noah Saavedra 2013 zuerst am dortigen Konservatorium Schauspiel, bevor er 2015 an die Hochschule für Schauspielkunst «Ernst Busch» nach Berlin wechselte. 2017 wurde er mit dem bedeutendsten österreichischen Film- und Fernsehpreis, der Romy als «Bester männlicher Nachwuchs» sowie dem New Faces Award für seine Titelrolle im Kinofilm «Egon Schiele –Tod und Mädchen» ausgezeichnet. 2018 erhielt er den O.E. Hasse-Preis. Mit der Spielzeit 2019/2020 tritt er sein Erstengagement an und war von 2019 bis 2022 festes Ensemblemitglied am Residenztheater. 2019 war er in «Everything will change», der 2021 mit dem Max-Ophüls-Preis in der Kategorie Publikumspreis Spielfilm ausgezeichnet wurde, sowie 2021 in «Schweigend steht der Wald» von Saralisa Volm, der u.a. auf der Berlinale gezeigt wurde, zu sehen.

Performing in

Ephraim Cabot has built his farm in New England up out of nothing, through hard work and the sweat of his brow and he keeps his three sons in line with Puritan discipline. However, instead of handing on the fruits of their collective toil to the next generation, he introduces the young Abbie to them as his bride, thereby unleashing a tragedy of ancient dimensions. While the elder brothers entirely abandon any hope of inheriting from their father and follow the call of gold to California, a fateful triangle develops between his youngest son   Eben, his father and his step-mother – and Abbie too raises a claim to the farm that Eben is willing to defend by any means.

Gier unter Ulmen (Desire under the elms)
Residenztheater, 18.30 o'clock
Sun 19 Mar

Lola Montez was one of the most dazzling female figures in the history of Bavaria and the city of Munich. When Lola – who was actually born Elizabeth Rosanna Gilbert – arrived in Munich in 1846, the immigration police recorded her as: «artist, dancer from Sevilla, Spain, 24 years old, Catholic, no passport.» A short time later she had become the lover of the Bavarian King Ludwig I. However, it would be too simple to reduce this fascinating woman to the scandals that were often no more than allegations against her: because in both her thinking and her actions she was centuries ahead of her time.

 

Lola M.
Cuvilliéstheater, 19.30 o'clock
Wed 08 Feb
Cuvilliéstheater, 19.30 o'clock
Mon 06 Mar

Ensemble